Post by account_disabled on Mar 7, 2024 9:28:53 GMT
The degree of spectacularity that we wanted to add, starting from the scenography, was to include two different types of performers: dance troupe and extras. The dance troupe was selected based on Michela's input after a careful screening phase in which we evaluated the physical characteristics, style and mood. The extras had the task of interacting in the choreography with the central dance troupe thanks to luminous LED poles which could both give dynamism to the scenography and further characterize the performance.
The performance dynamics included: Sudden entry into France Telegram Number Data the square Interaction with curious people present Repetition of the choreography useful for the final video Freestyle Last repetition of the choreography Maximum interaction with those present Permissions In these cases, bureaucracy is everything. We can create the best scenography in history, but in the case of commercials, timing, correct forms and respect for procedures are everything. The degree of spectacularity that we wanted to add, starting from the scenography, was to include two different types of performers: dance troupe and extras. The dance troupe was selected based on Michela's input after a careful screening phase in which we evaluated the physical characteristics, style and mood.
The extras had the task of interacting in the choreography with the central dance troupe thanks to luminous LED poles which could both give dynamism to the scenography and further characterize the performance. The performance dynamics included: Sudden entry into the square Interaction with curious people present Repetition of the choreography useful for the final video Freestyle Last repetition of the choreography Maximum interaction with those present Permissions In these cases, bureaucracy is everything. We can create the best scenography in history, but in the case of commercials, timing, correct forms and respect for procedures are everything.
The performance dynamics included: Sudden entry into France Telegram Number Data the square Interaction with curious people present Repetition of the choreography useful for the final video Freestyle Last repetition of the choreography Maximum interaction with those present Permissions In these cases, bureaucracy is everything. We can create the best scenography in history, but in the case of commercials, timing, correct forms and respect for procedures are everything. The degree of spectacularity that we wanted to add, starting from the scenography, was to include two different types of performers: dance troupe and extras. The dance troupe was selected based on Michela's input after a careful screening phase in which we evaluated the physical characteristics, style and mood.
The extras had the task of interacting in the choreography with the central dance troupe thanks to luminous LED poles which could both give dynamism to the scenography and further characterize the performance. The performance dynamics included: Sudden entry into the square Interaction with curious people present Repetition of the choreography useful for the final video Freestyle Last repetition of the choreography Maximum interaction with those present Permissions In these cases, bureaucracy is everything. We can create the best scenography in history, but in the case of commercials, timing, correct forms and respect for procedures are everything.